
With regard to its canal network, Birmingham is often compared to the great city of Venice. But today it reminds me more of Florence. Florence in February 1497. A radical cleric, Savonarola, organised a great pyre onto which some of the most beautiful works of art produced in the early Renaissance were thrown.It has become infamous as one of the greatest barbaric acts in the history of art, The Bonfire of the Vanities. Accounts recall Botticelli, weeping, as he walked towards the blaze with his own works in his arms. We know nothing of what was burnt that day, but our picture of the art of the Quattrocento will forever be tinted with sadness.
You may begin to see where I am going with this...
Yesterday, Nicholas Serota warned in
The Guardian of the damage that Jeremy Hunt's cuts would do to the visual arts in this country. He wrote of "blitzkrieg on the arts". When people like Tracey Emin talk about politics, most people ignore her. When Nicolas Serota speaks up, you pay attention. The same was true today when the head of the National Theatre, Sir Nicholas Hytner
warned of the closure of numerous smaller playhouses if cuts in the sector went ahead. One man's bonfire ....
Culture is important. There is no doubt about that, and we must not be distracted by New Labour arguments that the arts are simply good economically, for tourism, or as tools of social change, in youth projects. The arts are simply the mark of a civilised society. To paraphrase C.S. Lewis: the arts are unnecessary, like friendship, like philosophy ...
"It has no survival value. Rather is gives value to survival."
John Maynard Keynes, the creator and first chairman of the Arts Council realised this. He did not found the Art's Council on an economic basis or for reasons of health or social inclusion but rather that the war that had just been fought was for civilisation. And what was that without the arts.
The attitide of this Coalition government and of one man in particular worries me. Jeremy Hunt is a very ambitious man. He was clearly disapointed when the Coalition cabinet was formed and he was left with the Culture brief. Rumour had it that he had been angeling for the Chief secretary to the Treasury position which went to David Laws, and now Danny Alexander. One can just imagine Hunt fuming in his office about how such upstarts could have been given his position. Therefore when news was leaked that Hunt sought to review departmental spending with a view to cut far more than most departments,
up to 50%, I saw it as a move to try and create a position of Prime Minister's Pet. "Oh look David, I cut the most."
Of course this is a ludicrous thing to do. The DCMS's budget is tiny, and compared to others, relatively streamlined. As Serota quotes Nick Clegg saying in his piece:
"The idea that you can cut a £180 bn deficit by slicing money out of the budget of the Department of Culture, Media and Sport is frankly absurd".
I see no reason why he should have changed his view. The solution to art's funding triumphed before the election was philanthropy. Yet just yesterday, the
FT reported on how the
Arts and Business report proved that this could not make all the loss and that few steps had been taken towards this Big Society approach by the DCMS.
In years to come then, historians may end up seeing this Conservative conference as a
Bonfire of the (New Labour) Vanities, saying farewell to a universal benefits system and to the advantages of
tying ourselves in with EU legislation. Art historians will see it in a similar way, with Conservatives quaffing champagne in Birmingham, while their minions lay kindling in Parliament Square. Artists are already visually commentating on the arts cuts, as demonstrated by the powerful piece heading this post by Corneila Parker. She depicts The Angel of the North, with it's wing cut.